The Healthy Artist Guide to a Less Toxic Studio




What You Can Do:

 

Artists’ Toxic Illnesses

Illnesses caused by toxic substances have plagued artists throughout history. The artists Rubens, Renoir and Dufy suffered from rheumatoid arthritis, and Paul Klee was plagued by scleroderma, both of which are now known to be caused by toxic heavy metals used in the bright colours of their paints.(1) In the mid-1980s, the US National Cancer Institute also conducted two studies that found higher risks of urinary bladder cancer, leukemia, and arteriosclerotic heart disease among painters.(2).

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Artists at Special Risk

Artists are at particular risk of developing health problems associated with exposure to chemicals for several reasons, including:

  1. Artists frequently get little or no training in the hazards of their materials and processes . As a result, artists are often unaware that the materials they use contain toxic ingredients, including those that are not permitted in other types of consumer products. For instance, lead has been banned from wall paint but is still used in artist paints and inks. In order to protect themselves, artists first have to realize that there are dangers.
  2. Artists often do not take precautions to protect themselves from the hazards associated with the materials they use, and in many cases they cannot afford expensive safety equipment. While a chemist using exactly the same substances would protect themselves with goggles, gloves, fume hoods and other safety equipment, artists will often not only fail to take these precautions, but also partake in activities that actually increase their exposure to harmful substances, e.g., eating and drinking in the studio, pointing their brush with their lips, etc.
  3. Artists often have much longer and more frequent exposure to harmful chemicals than the average person because they frequently work with hazardous materials, often for extended hours.
  4. Artists often work and live in the same place, and the toxic substances used in the studio can spread throughout the home leading to constant exposure from which the body does not get a break.
  5. Artists can be exposed to asbestos because many of them live in older buildings that can contain friable asbestos, usually on boilers and piping.  “Friable” means that it breaks apart and can produce dust, which can therefore be inhaled.  Asbestos can cause cancer 20-40 years after exposure, so it is wise to have it professionally removed or encapsulated (permanently sealed).

If you have decided that, as an artist, you will no longer let your work compromise your health, this web page is for you. Taking reasonable precautions usually does not mean that you have to make significant changes to your creative processes. Below you will find a Guide to help you identify materials in your studio that may be hazardous to your health, as well as safer alternatives. This guide is by no means exhaustive, entire books have been written on the hazards of artist materials and processes. Please refer to the many resources listed below for further information.

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Educate Yourself and Be Aware Of Toxic Hazards in Your Studio

This web page is not meant to provide all the information artists need to protect themselves from the many hazards they may encounter in their work, it is, however, a good starting point.

Every artist should EDUCATE THEMSELVES about the hazards they may encounter when working with their specific mediums, techniques and materials. Artists should also educate themselves on common safety precautions (e.g., reading all labels and following use directions, using proper ventilation systems, labelling all containers/materials, disposing of old and unspecified materials, not storing substances in old drinking bottles, etc.). Please refer to the resources listed below for some useful books on artist health and safety.

Every artist should MAKE AN INVENTORY of the materials used in their studio. That inventory can be used to identify and research hazardous materials/substances in the studio. This knowledge can be used to identify necessary safety precautions and in some cases may lead an artist to search for safer alternatives.

  • Download a quick QUIZ to find out if you’re a safe artist or could benefit from some modifications in your creative practice.

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An Artist’s Lines of Defence Against Toxic Materials

The quick guide below of toxics in the studio is relevant for an artist’s first line of defence against toxic materials. The three main lines of defence are:

  1. Substitute hazardous materials with safe or less-toxic alternatives.
  2. Enclose harmful substances where you can and create a barrier between yourself and the source. Ventilate appropriately.
  3. Personal Protective Equipment (PPE) , e.g., gloves, goggles, apron, respirator. Always wear appropriate PPE for the materials and techniques you are using.

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The Healthy Artist Guide to a Less Toxic Studio

Top 5 Tips for Using Less Toxic Art Materials

  1. Know the relative hazards of your materials.
  2. Use water-based materials where possible.
  3. Avoid powders and dusts.
  4. Choose the safest process.
  5. Be patient as you learn how to use safer substitutes.

Click on a medium to learn about hazards and less toxic alternatives:

Paint and Drawing Materials Glues and Adhesives Alkalis
Dusts and Powders Plastic Resins Sprays
Dyes Acids Photochemicals
Ceramic Glazes    

You can also download a printable version of the Healthy Artist Guide to a Less Toxic Studio. You will need Acrobat Reader to read this document. You can click here to download the program for free.

Item Hazards Less Toxic Alternatives
Paint and Drawing Materials

Examples:
Oil, acrylic and watercolour paints, markers, pens, varnishes, inks and thinners.

These materials contain solvents that may contain chemicals such as toluene and xylene.

Some may irritate the skin, eyes and respiratory system, and damage the nervous system, liver and kidneys. Turpentine causes allergies to itself.

Pigments in paints may contain heavy metals, e.g., lead. Some pigments may be contaminated with PCBs and dioxins.

Mineral Spirits - for thinning oil based paints and varnishes or for general cleaning purposes.

Water-based markers.

Water-based and acrylic paints.

Note: Water-based paints may contain formaldehyde, acrylics may contain ammonia – but they are still considered safer than oil-based paints.

Dusts and powders Sources: Pigments, dyes, clay, plaster, cement, talc, soapstone, asbestos, woods.

Varied hazards, e.g., pigments can contain heavy metals; clays contain silica.

When particles of dust and powders become air-borne they can be inhaled and cause respiratory problems.

Products that don’t create dusts and mists. Avoid materials in powdered forms.

Use: paints and clays that are pre-mixed; dyes in liquid form.

For plaster casting body parts use a plaster impregnated bandage along with Vaseline for protection.

Dyes
Used to dye fabric, e.g., whole cloth dyeing, tie dyeing, batik, silkscreening.

Long-term (chronic) hazards unknown.

Acute hazards vary by class of dye (e.g., acid, azoic, basic, direct, disperse, fibre-reactive, vat, all-purpose, and food).

Dyes may cause: allergic reactions, asthma, cancer, dermatitis; some may be mutagenic (fibre-reactive dyes) or caustic.

Benzidine dyes (mostly belong to the ‘direct dyes’ class) are cancer-causing.

Buy dyes in liquid form or paste, avoid powdered dyes.

Avoid benzidine dyes.

Ceramic Glazes Used on pottery.

Some glazes contain lead, cadmium, chromium, nickel and other heavy metals which are highly toxic.

Ceramic lustre glazes contain solvents that irritate the skin and respiratory system.

Lead-free glazes.

! Never use lead glaze on pottery meant to hold food or beverages.

Glues and Adhesives Used in a variety of art practices.

Solvent-based glues (e.g., rubber cement, model cement glue, contact cement) can irritate the skin and respiratory system.

Wheat pastes (e.g., wallpaper pastes) can contain arsenic compounds and pentachlorophenol.

Water-based glues and adhesives: library paste, mucilages, polyvinyl acetate emulsions (white glue), homemade glue (flour and water).

Plastic Resins

Examples:
Acrylic resins, epoxy resins, amino and phenolic resins, polyester resins, polyurethane resins.

Highly toxic:
Amino and phenolic resins (formaldehyde); polyurethane resins (isocyanates, organotin compounds).

Moderately toxic:
Acrylic resins (contain methyl methacrylate and benzoyl peroxide); epoxy resins contain solvents (avoid ones with diglycidyl ether); polyester resins (contain styrene; avoid use of dimethylaniline as accelerator).

See ‘Moderately Toxic’ resin list in the previous column.

Finished (or sheet) plastics are safer to work with than resin systems, although they have their own hazards as well. Example: acrylic (Lucite, Plexiglas). Avoid polyvinyl chloride (PVC) and polyurethane, melamine resins, urea formaldehyde and nylon.

Acids Used for many purposes, including: etches in printmaking, metal cleaning and pickling, etching glass, etc.

Highly Toxic:
Sodium bisulfate, oxalic acid, phosphoric acid, hydrochloric acid, acetic acid, sulphuric acid, nitric acid, phenol. Hydrofluoric acid and chromic acid are extremely toxic, do not use.

Slightly-Moderately Toxic:
Tannic acid, ferric chloride (substitute for Dutch mordant in copper etching), ammonium bifluoride, boric acid.

See ‘Slight-Moderately Toxic’ acids in previous columns.

Diluted acids are less hazardous than concentrated acids.

Alkalis

Used in: cleaning solutions, paint removers, dye baths, ceramic glazes and photographic developing baths.

Most are dissolved in water.

Most are highly corrosive to the skin and eyes. Ingestion can cause severe damage to the digestive system. Inhalation may cause chemical pneumonia.

Highly toxic:
Ammonium hydroxide.

Slightly-moderately toxic: Calcium hydroxide (slaked lime), sodium silicate.

Others:
Calcium oxide (lime), lithium oxide, potassium hydroxide (potash lye), sodium hydroxide (lye), sodium oxide, trisodium phosphate

See previous column for ‘slightly-moderately toxic’ alkalis.
Sprays

Examples: aerosol sprays, spray guns.

Used in spray painting, air brushing, retouching photos, fixing drawings, application of glazes, enamels and adhesives.

Contain solvents: hexane, petroleum distillates, toluene, chlorinated hydrocarbons and ketones.

May irritate the skin, eyes and respiratory system, and damage the nervous system, liver and kidneys.

Sprays are particularly hazardous because solvent mist droplets can be inhaled deeply into the lungs.

Sprays that use a mouth atomizer can lead to ingestion of solvents.

Avoid spraying; opt for other techniques such as brushing or dipping.

Opt for water-based materials.

Instead of a mouth atomizer try squeeze-bulb-type atomizers or plunger-type spray bottles.

Photo-chemicals

Used in photography, and other photoprint-making, e.g., photolithography, photosilkscreen, photoetching.

Examples: developers, fixers, dyes, toners.

Available in liquid and powder form.

Chemicals used photography range from moderately toxic to highly toxic.

Effects of chronic photochemical exposure include:

  • Skin diseases: dermatitis
  • Respiratory diseases: minor damage to respiratory system, acute bronchitis, chemical pneumonia; chronic bronchitis, emphysema.
  • Allergic diseases: asthma, alveolitis
  • Methemoglobinemia (acute anemia)
  • Reproductive system damage

Extremely toxic chemicals to avoid:
chromic acid bleaches, lead toners, mercury vapour (daguerreotype), mercury intensifiers and preservatives, uranium nitrate toners, and cyanide reducers and intensifiers.

Use liquids rather than powdered chemicals.

Do not use or store glacial acetic acid; purchase acetic acid diluted to concentrations of 50 per cent or less.

Avoid carbon arc light sources. Use instead: halide bulbs, quartz lamps, sunlight.

Ensure good darkroom ventilation (at minimum 6 complete air changes per hour).

*The Healthy Artist Guide to a Less Toxic Studio is adapted from information provided in: Rossol, Monona. (2001). The Artist’s Complete Health and Safety Guide. 3 rd Ed. Allworth Press. New York. & McCann, Michael. (1992). Artist Beware: Fully Revised and Augmented Edition. Lyons and Burford. New York.

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Staying Alive! – Health and Safety Workshops for Visual and Media Artists

Staying Alive! A Health & Safety Workshop for Visual and Media Artists will be presented in several cities in Ontario throughout the fall and winter, including:

  • Timmins in November,
  • Ottawa in January,
  • North Bay in February, and
  • Thunder Bay in March.

The workshop explores the consequences of repeated exposure to potentially harmful chemicals and situations encountered by artists. Presenters include Ted Rickard, MLS, MEd, CRSP, Manager of Health and Safety at the Ontario College of Art & Design; and Dr. Jean-Jacques Dugoua (Dr. J.J.), BSc, ND., naturopathic doctor with the Artists’ Health Centre.

These workshops are presented by CARFAC Ontario in partnership with the Artists’ Health Centre Foundation and Environmental Defence.

For more information and to register, please visit: http://carfacontario.ca/about/staying_alive or call 416-340-8850 or 1-877-890-8850 toll free.

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Resources for Further Information

Toxic Nation Fact Sheet: How to get information on the hazards of arts and crafts materials – Material Safety Data Sheets 101. (See for list of links to online Material Safety Data Sheets)

Health and Safety in the Arts, City of Tucson, Arizona
A searchable database for artists of health and safety information by medium.

US National Institutes of Health, National Library of Medicine, Household Products Database
A searchable database of household products, provides information on product ingredients, potential health effects and safety and handling. Search Arts and Crafts Products.

Books

Mccann, Michael. (2005). Artist Beware, Updated and Revised: The Hazards in Working with All Art and Craft Materials and the Precautions Every Artist and Craftsperson Should Take . Lyons Press. New York.

Rossol, Monona. (2001). The Artist’s Complete Health and Safety Guide. 3 rd Ed. Allworth Press. New York.

Shaw, Susan and Monona Rossol. (1991). Overexposure: Health Hazards in Photography. 2 nd Ed. Allworth Press. New York.

The Art & Creative Materials Institute, Inc. (1994). What You Need to Know About the Safety of Art & Craft Materials. Boston. (A 12 page booklet on the approval seals of the ACMI voluntarily used by members of this non-profit trade association of manufacturers of art, craft and creative materials. Includes basic safety tips and toxicology information connected with art materials. Free from: The Art & Creative Materials Institute, Inc., 1280 Main St. P.O. Box 479, Hanson, MA 02341. Tel: (781)-293-4100.

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Acknowledgements:

This paged was developed in partnership with CARFAC Ontario and the support of the Ontario Trillium Fund.

Much of the material has been adapted from:
Rossol, Monona. (2001). The Artist’s Complete Health and Safety Guide. 3 rd Ed. Allworth Press. New York.

References

Fields, Scott. (1997, March). Exposing ourselves to art. Environmental Health Perspectives. Vol.105, No.3, p. 284. < http://www.ehponline.org/docs/1997/105-3/focus-abs.html>

Ibid.